Candel Bormann, Daniel
Actividades
- Artículos 20
- Libros 0
- Capítulos de libro 3
- Congresos 3
- Documentos de trabajo 0
- Informes técnicos 0
- Proyectos de investigación 0
- Tesis dirigidas 0
- Patentes o licencias de software 0
Defining the Sequel, Accounting for Its Reception: Analyzing the Pixar Corpus
- Candel Bormann, D.
- Dávila Torés, E.
- Pérez Delgado, E.
Quarterly Review of Film and Video (p. 369-392) - 2021
Editor: Routledge
10.1080/10509208.2021.1890974 Ver en origen
- ISSN/ISBN 1543-5326
Systematizing evil in literature: Twelve models for the analysis of narrative fiction
- Candel, D.
Semiotica (p. 141-168) - 2021
Editor: De Gruyter Mouton
10.1515/sem-2020-0071 Ver en origen
- ISSN/ISBN 1613-3692
Quality TV and cultural origin: A mixed method analysis of the historical series the Crown (Netflix) and Isabel (RTVE)
- Abellán, S.
- Bormann, D.C.
- De Adana, F.S.
- García, A.
English Text Construction (p. 150-181) - 2021
Editor: John Benjamins Publishing Company
10.1075/etc.00045.abe Ver en origen
- ISSN/ISBN 1874-8775
And what if overt plot and covert progression are connected?
- Bormann, D.C.
Style (p. 53-58) - 2021
Editor: Penn State University Press
10.5325/style.55.1.0053 Ver en origen
- ISSN/ISBN 0039-4238
Covert progression in comics: A reading of Frank Miller's 300
- Candel, D.
Poetics Today (p. 705-729) - 2020
Editor: Duke University Press
10.1215/03335372-8720043 Ver en origen
- ISSN/ISBN 0333-5372
Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow”
- Candel, D.
Semiotica (p. 275-295) - 2020
Editor: De Gruyter Mouton
10.1515/sem-2018-0144 Ver en origen
- ISSN/ISBN 1613-3692
Inching towards literacy in Madrid’s primary schools: a survey of school-wide projects
- Halbach, A.
- Candel Bormann, D.
Language and Education (p. 416-430) - 2019
Editor: Routledge
10.1080/09500782.2019.1622712 Ver en origen
- ISSN/ISBN 0950-0782
A report on the reports of the stanford literary lab: A reason why the digital humanities may find it difficult to change literary history
- Candel, D.
Semiotica (p. 111-134) - 2018
Editor: De Gruyter Mouton
10.1515/sem-2016-0223 Ver en origen
- ISSN/ISBN 1613-3692
The rhythms of narrative tension and its cultural satisfaction: Frank Miller’s 300
- Candel, D.
English Text Construction (p. 169-198) - 2018
Editor: John Benjamins Publishing Company
10.1075/etc.00008.can Ver en origen
- ISSN/ISBN 1874-8775
Analyzing the fictional worlds of Pixar with an eye on digital humanities
- Candel, D.
- Pedraza, M.G.
- Madarova, S.
- Cáceres, P.R.
- Sanz, M.R.
- Troyano Fernández, M.V.
- Treija, K.
Semiotica (p. 91-117) - 2017
Editor: De Gruyter Mouton
10.1515/sem-2016-0081 Ver en origen
- ISSN/ISBN 1613-3692
Este/a investigador/a no tiene libros.
Female Voices Bound by Chaos
- Daniel Candel Bormann
(Trans)formaciones de las sexualidades y el género (p. 219-236) - 2001
Editor: Editorial Universidad de Alcalá
- ISSN/ISBN 978-84-8138-390-4
A Postmodern reader's empathic response to Cynthia Ozick's "The Pagan Rabi"
- Daniel Candel Bormann
Estudios de filología inglesa: homenaje a Jack White (p. 37-48) - 2000
Editor: Madrid : Editorial Complutense, Departamento de Filología Inglesa, 2000
- ISSN/ISBN 84-7491-273-3
Systematising literary theory: the missing dimensions
- Daniel Candel Bormann
Actas del XXVII Congreso Internacional de AEDEAN (p. 9) - 2004
Editor: Departamento de Filología Inglesa
- ISSN/ISBN 84-7455-103-X
The end of society in historiographic metafiction: a case study
- Daniel Candel Bormann
AEDEAN. Proceedings of the 23rd International Conference: (León. 16th-18th December 1999) [Electronic resource] (p. 6) - 2003
Editor: Universidad de León
The material bodily principle in Mikhail Bakhtin's Rabelais and his world and Toni Morrison's "The bluest eye"
- Daniel Candel Bormann
Proceedings of the 20th International AEDEAN Conference (p. 389-394) - 1997
Editor: Facultat de Filologia
- ISSN/ISBN 84-477-0624-9
Este/a investigador/a no tiene documentos de trabajo.
Este/a investigador/a no tiene informes técnicos.
Este/a investigador/a no tiene proyectos de investigación.
Este/a investigador/a no tiene tesis dirigidas.
Este/a investigador/a no tiene patentes o licencias de software.
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